Dernières actualités
-
-
14 novembre 2023
Sortie en salle du Prix du Jury œcuménique 2023
-
2 novembre 2023
La Fille de son père
-
2 novembre 2023
Les Filles d’Olfa
Articles de cet auteur (185)
-
19 mai 2007
Sicko (English Corner)
Michael Moore may not be a White House favourite, but he certainly is at Cannes. To criticise him as partisan is not really relevant. Being partisan is the point. Moore has the talent to be both serious and funny in his polemic. He offers anecdotal evidence in moving stories, interviews and telling television footage of targeted politicians (...) -
18 mai 2007
Izgnanie (English Corner)
Zviagintsev made a great impact in 2003 with his Venice winner The Return (winner of SIGNIS, Ecumenical and Templeton awards). This follow-up is a very confident film, beautifully directed and photographed, naturalistically and convincingly acted, a film of great craft in the Russian tradition. It is also a film of Russian melancholy, (...) -
18 mai 2007
Savage Grace (English Corner)
Years ago, Tom Kalin made Swoon, a black and white, low budget take on the Leopold-Loeb murders in 1920s Chicago (the basis for Hitchcock’s Rope). The film explored the sexual and violent obsessions that united the psyches of the two wealthy young men. Now Kalin is offering another case study of sexuality and violence and an obsessive (...) -
18 mai 2007
Les chansons d’amour (English Corner)
Christophe Honore’s films are usually talkative, abstract reflections and interactions about communication and love. This one is less talkative. However, the characters suddenly burst (or, rather, quietly begin) into song, the French plaintive ballad style with lyrics that hover between depth and the trite. Structure has three parts : (...) -
17 mai 2007
Triangle (English Corner)
Six screenwriters and three directors for this Hong Kong crime drama that any of the directors could have made with little effort. But, they seem to have decided to go for broke. During the first hour one is wondering whether to simply say that characters and treatment are bordering on the absurd. However, the final thirty minutes go over (...)