Dernières actualités
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14 novembre 2023
Sortie en salle du Prix du Jury œcuménique 2023
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2 novembre 2023
La Fille de son père
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2 novembre 2023
Les Filles d’Olfa
Articles de cet auteur (185)
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17 mai 2007
Le voyage du ballon rouge (English Corner)
The final credits suggest that this is a homage to Albert Lamorisse and his beautiful 1956 film. While a red balloon does fly over the city of Paris – as a guardian, as a friend or, simply, a movie icon – this film has little to do with 1956. Yes, there is a young boy, but it is the story of him and his mother and the ups and down of living (...) -
17 mai 2007
4 Luni, 3 Saptamini si 2 Zile (English Corner)
A completely overwhelming film that is gruelling to sit through. It is strikingly made and performed. In 2005, the Romanians gave the world an emotionally draining picture of dying and hospital indifference in The Death of Mr Lazarescu. Now we are offered an equally emotionally draining picture of an illegal abortion. The reality and facts (...) -
17 mai 2007
Zodiac (English Corner)
In the late 1960s, early 1970s, a serial killer terrorised the San Francisco area. This is the story of the investigation, of the media response, of one individual’s obsession with the case, cartoonist, Robert Graysmith, working for the San Francisco Chronicle who eventually published his book on which the screenplay for Zodiac is based. In (...) -
16 mai 2007
My Blueberry Nights (English Corner)
Loneliness, regrets, time wasted. Listening. Journey, trust, hope. This is a thematic outline of My Blueberry Nights, famed Hong Kong director Wong Kar Wai’s first film made in English and in the US. Sometimes his post-action films make a great impact (In the Mood for Love, The Hand). Sometimes they get critical acclaim but come across as (...) -
27 mai 2006
2:37 (English Corner)
A very impressive first film. When one hears that it is about teenage problems and high school crises, expectations are that it will be a variation on the jocks and bimbos of American high school movies. It is not. It stands on its own, all the more striking that the writer-director has had practically no training and was born in 1984, making (...)