Primary Menu

    Vous pouvez choisir un film précis :
  • Hunger (English Corner)

    Hunger (English Corner)

    A gruelling film to watch (and feel). Steve McQueen, has co-written and directed his first feature and drawn his audience into the Troubles of 1981 in Belfast, especially in the Maze prison. The film is clearly divided into three parts. The first hour focuses on the inmates and the conditions in the Maze and their demands to be treated as (…)
  • Cztery noce z Anna (Quatre nuits avec Anna)

    Cztery noce z Anna (Quatre nuits avec Anna)

    Ce premier nouveau film, depuis "Ferdydurke" d’après Gombrowicz (1991), a permis à ce jeune réalisateur de 70 ans de se retrouver, dit-il, comme artiste responsable de tous les paramètres techniques du film-images, cadrages, décors, mouvements de caméra-. après 17 ans d’une fructueuse pause picturale. Parti d’un fait-divers qui rejoint en (…)
  • Tokyo ! (English Corner)

    Tokyo ! (English Corner)

    One needs to notice the ! after the Tokyo of the title. This is not a film set in Tokyo as such or about Tokyo as such. It is about aspects of Tokyo ! Over a cartoon cityscape, we hear a flight hostess inviting us all to travel to Japan. There are three stories for us, three surreal stories which film buffs would expect from the (…)
  • Leonera (English Corner)

    Leonera (English Corner)

    There have been many prison films but one like this is comparatively rare. It is a gripping film that has its audience wondering what is the right thing to do for prisoners. But this question is complicated here because the prisoners are women and the group is made up of pregnant women and women with children under the age of four, some of (…)
  • Leonera

    Leonera

    "Tout travelling est une question de morale", disait Godard. On ne peut pas ne pas penser à cette phrase au sortir de ce film aux effets terriblement appuyés, tant au plan visulel qu’au plan sonore. Le bazooka est sans doute une arme efficace, mais à force de matraquer une cible, il n’en reste plus grand chose. Ici, on a parfois l’impression (…)