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14 novembre 2023
Sortie en salle du Prix du Jury œcuménique 2023
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La Fille de son père
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2 novembre 2023
Les Filles d’Olfa
Articles de cet auteur (185)
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17 mai 2005
Manderlay (English Corner)
Could it be that Lars Von Trier is becoming more focused and disciplined ? He even remarks that unwarranted provocation is ineffective – though good provocation is a challenge. He has always been a director with a challenge, especially about women and their exploitation by men. This was the experience of Grace, the gangster’s daughter as (...) -
17 mai 2005
L’enfant (English Corner)
The Dardenne Brothers know Liege and its environs well. They know the life of the working classes and the unemployed. They have been in the territory of L’Enfant before, with their Cannes award-winning Rosetta. It is something of a surprise to see them return there after the powerful complexities of Le Fils. In fact, L’Enfant needs some (...) -
17 mai 2005
Star Wars - Episode III (English Corner)
Yes, it is a pleasure to say that I found this episode worked perfectly. All the questions are now answered. It is worth congratulating George Lucas in bringing his epic to a satisfying conclusion. Revenge of the Sith moves right into action. There is quite a lot of ‘whizz whizz bang bang’ in the opening battles. Special effects are (...) -
16 mai 2005
A History of Violence (English Corner)
David Cronenberg has been exploring all kinds of themes of violence for more than thirty years. He began with parasites and rabid plagues and broods, segued into more mainstream styles with Videodrome and The Dead Zone, but always veered towards the bizarre from Dead Ringers and Naked Lunch to ExistenZ and Spider. Which means that some (...) -
16 mai 2005
Batalla en el cielo (English Corner)
It might be useful to ask the reasons for the resounding ovation at the end of the screening. Enthusiastic and supportive Mexicans ? An insightful portrait of contemporary Mexico City ? A stylish piece of cinema ? Or, more than perhaps, that the director was extending boundaries in depictions of up-front, in-your-face sexual sequences ? (...)